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When chief film critic for The New York Times left his dream job after 23 years, he blamed the lack of original and imaginative work in an industry dominated by conglomerates. While many are lamenting the state of film, the question remains: what does it mean for an art form to diminish?
Recent books Statements from the Soul and An Indigenous Voice to Parliament explore different perspectives on the Uluru Statement, including the relationship between the land and Indigenous people and the legal impact of the proposed constitutional change, while demonstrating the need to appeal to hearts and minds in rallying support for an Indigenous Voice.
The plot of Kate Solly’s very enjoyable first novel, Tuesday Evenings with the Copeton Craft Resistance turns on the conflict between good and evil, represented respectively by the generous desire to turn Catholic property over to refugees and the vicious desire to prevent the project by portraying refugees as Muslims and Muslims as sinister and alien.
Who wields the most power in the world? If one follows the money trail, it becomes clear that Western societies have become ruled by a new type of aristocracy: a management aristocracy.
At the end of the third episode of the Netflix biopic Dahmer – Monster: The Jeffrey Dahmer Story, as the ‘Watch Next Episode’ timer ran down, I turned it off and haven’t returned. At time of writing, Dahmer was the number three-ranked show on Netflix Australia. Why are viewers willing to watch? And against the scale of such horror, can there be any redemption?
There is no popular groundswell for constitutional change in the direction of a republic just at this moment. The parliamentary recess, the proclamation by the Governor General of our fealty to the new King, and the public holiday were all a bit embarrassing. The parade being over, we can go back to gawking at the Royal Family much like Americans do. The question of what monarchy means for us feels best left alone for a while.
The beauty of questions is they remind us that we do not know, even as they lure us into their openness. Questions are rarely ever closed or settled. Honner’s books are built around questions. ‘If God made the world, who made God?’ Or, leaving behind pure speculation, ‘Why doesn’t God answer my prayers?’ These are deep mysteries, but they are not meaningless mysteries, Honner says.
So far it hasn’t been easy to find a review in Australia from someone who has actually read the sixth and latest book in Rowling/Galbraith’s Cormoran Strike crime series, The Ink Black Heart. l wonder if it is too much to ask for people to simply read books (any books) before holding opinions about them.
History is on my mind at the moment, all because of yet another awful Austen adaptation. The latest cinematic mud-pie thrown at her in the new Persuasion movie may even be the worst one yet, which is something, because there’s a lot of competition. Who can forget Gwyneth Paltrow in the 1995 Emma driving a carriage in a yellow ball gown as though she were doing the time trial in Top Gear?
Eureka Street Plus is a place where respectful in-depth public conversation can take place in the grey area between polarities; a place to air differing perspectives, thoughts and concerns without fear of reprisals. It’s about making space to further enable the productive conversations necessary for an engaged, functioning society.
How do we know that what we call knowledge is knowledge? How do we know that we know? The two books I have been reading here are both about kinds of knowing. Suzie Sheehy is a particle physicist from my old stamping ground, Melbourne University. Sheehy’s story is of passionate hunters for nothing less than the meaning of everything.
It seems every fifteen years or so Eureka Street has something to announce. There was 1991, when Eureka Street launched, 2006 with the switch from print to digital, and now, the next chapter in the Eureka Street journey. After 15 years of being a free digital magazine, we are quietly overjoyed to be launching Eureka Street Plus, an expanded content offering for paid subscribers.
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